Movies

Thunderbolts* review: Marvel finally remembered how to make a grounded team movie

Just got back from the Thursday night showing at Alamo Drafthouse Richardson. Thunderbolts* is the best MCU movie since Guardians Vol. 3 and it is not particularly close.

What works:

  • Florence Pugh carries this movie. Yelena Belova is the most compelling MCU character since Tony Stark. Her dynamic with Bucky Barnes has real tension and humor without feeling forced.
  • David Harbour as Red Guardian steals every scene. The guy commits fully to the comedic bits without undermining the stakes.
  • The Sentry reveal is genuinely unsettling. They leaned into the horror elements of Bob Reynolds and it pays off. The void sequences are some of the most visually ambitious work Marvel has done.
  • The action is coherent. You can tell who is hitting who. The hallway fight in act two is the best MCU hand-to-hand combat since Winter Soldier.

What does not work:

  • The third act gets a little too CGI-heavy. After two acts of grounded action, the final battle feels like it belongs in a different movie.
  • Taskmaster is still underwritten. They improved her from Black Widow but she needs her own arc.
  • The Val subplot feels like it exists solely to set up the next phase rather than serve this story.

Rating: 8/10. A genuine surprise. If this is the template for the new Avengers era, Marvel is in good shape.

Source: In-theater viewing, Alamo Drafthouse Richardson, opening night

Community ReportAutomatedSource: Community ReportPublished: Apr 4, 2026, 4:26 AM

Taskmaster deserves a solo project. They set up enough threads here that a Disney+ series would work. Olga Kurylenko has the presence, she just needs the script.

The hallway fight is Winter Soldier elevator scene good. No shaky cam, no rapid cuts, just clean choreography. More of this please.

I thought the third act was fine. Not every MCU movie needs to apologize for having a big finish. The Sentry going full power was earned by the buildup.

Florence Pugh is doing for Yelena what RDJ did for Tony Stark. Making a B-list character into an A-list anchor. The emotional beats in act three actually landed.

Saw it at Look Cinemas in Dallas. The Sentry horror sequences hit different on that screen. Legitimately creepy. Marvel needed this tonal shift badly.